Writer Laura McInnes speaks with a rapidly rising Aotearoa/New Zealand star who's already caught the attention of worldwide heavyweights.

The festival, returning to its much-beloved Supernatural Amphitheatre in December, is officially back for its 33rd year.

Into the 'Nest' of Judith Neilson’s Phoenix Central Park for Season XVII; in their third all-local line up for 2025, an unfurling of possibility, new experimentation and hope for the future of Australian artistic practice.

The 'open letter', launched yesterday, aligns with growing protests across the globe against Boiler Room's owners KKR.

Its second resource, with expertise compiled from three experienced promoters, artists and managers, is a must for anyone aspiring to do their 'own thing'.

Having just recently celebrated the label's 5th birthday at Australia's most prestigious venue, the Sydney Opera House, Trackwork has found itself at the centre of music's most exciting cultural crosspoints, Jonno Revanche writes.

Cate Faehrmann posed questions to NSW's Minister for Music John Graham on his government's 'Music Festival Viability Fund'.

The festival, now in its second year but the first under this new name, returns to Abbotsford Convent in September.

The Animalia & Cirrus label head, un:send festival founder & DJ is Mixmag ANZ’s Cover Artist for July 2025.

The one day festival, held at one of Naarm/Melbourne's most picturesque locations, is back & bigger than ever.

The leaked document, circulated by activist groups, comes as protests at Boiler Room events grow worldwide.

Martyn Pepperell dives into the history of one of Australia's most influential labels, perfectly timed with Efficient Space's re-release of some of its most important work.

The cancellation followed pressure from Belgian pro-Palestine groups.

A belated mid-year check-in for everything we've been loving from across Australia & Aotearoa/New Zealand.

Spotify said it has removed a track uploaded to the profile of a country musician who was murdered in 1989.