Keep Hush: International tours, local voices Amidst the UK brands second foray across Australia & Aotearoa/New Zealand, they shared some words of wisdom on how to honour local movements rather than simply profiting from them. Girls on tour: Merit outside the vacuum In the absence of up-to-date research, Lilly Grainger asked her favourite artists what it felt like to tour as a non-male identifying person, triumphs and room for growth within the industry. “Jazz is the teacher”: Theo Parrish on tradition, records & the roots of dance music The Detroit innovator considers the balance between past & future, along with how truth, people & physical sound shape his philosophy today. Does anything actually change after IWD? A week on from International Women's Day, a series of women across the industry spoke with Mixmag ANZ about what we can really be doing to enact change. 2024 Year in Review: Hyper-detailed, hyper-fast and hyper-connected As we start to catch our breath, let's ask ourselves, "what did we really learn this year?" Can music be used as an effective tool for mutual aid? Charity-based releases & compilations are no new concept, but are they actually doing the right thing? Mode Naarm 2024, in review The move from PICA to Melbourne Pavilion clearly didn't stop the excitement, Farah Azizan writes. Hasvat Informant's push for dance music accessibility “I don't think people with disability in a dance music context would expect everything to be perfect for them.” Claire O'Brien's journey with hearing damage The upcoming Mulubinba artist shares her experience with Tinnitus & Hyperacusis. PSA: Are you prepared for the dangers of synthetic opioids? Nitazene is incredibly dangerous in low doses, and has been found with increasing regularity in Australia & New Zealand. Latest from Mixmag »
Keep Hush: International tours, local voices Amidst the UK brands second foray across Australia & Aotearoa/New Zealand, they shared some words of wisdom on how to honour local movements rather than simply profiting from them.
Girls on tour: Merit outside the vacuum In the absence of up-to-date research, Lilly Grainger asked her favourite artists what it felt like to tour as a non-male identifying person, triumphs and room for growth within the industry.
“Jazz is the teacher”: Theo Parrish on tradition, records & the roots of dance music The Detroit innovator considers the balance between past & future, along with how truth, people & physical sound shape his philosophy today.
Does anything actually change after IWD? A week on from International Women's Day, a series of women across the industry spoke with Mixmag ANZ about what we can really be doing to enact change.
2024 Year in Review: Hyper-detailed, hyper-fast and hyper-connected As we start to catch our breath, let's ask ourselves, "what did we really learn this year?"
Can music be used as an effective tool for mutual aid? Charity-based releases & compilations are no new concept, but are they actually doing the right thing?
Mode Naarm 2024, in review The move from PICA to Melbourne Pavilion clearly didn't stop the excitement, Farah Azizan writes.
Hasvat Informant's push for dance music accessibility “I don't think people with disability in a dance music context would expect everything to be perfect for them.”
Claire O'Brien's journey with hearing damage The upcoming Mulubinba artist shares her experience with Tinnitus & Hyperacusis.
PSA: Are you prepared for the dangers of synthetic opioids? Nitazene is incredibly dangerous in low doses, and has been found with increasing regularity in Australia & New Zealand.
