INTERVIEWS
Boris Brejcha: "The passion for electronic music in Australia is unmatched"
As one of Germany's biggest ever artists prepares for his return to Australia, he caught up with Mixmag ANZ to share his excitement.
As dance music grows around the world, there are few that are able to comfortably sit at its peak. Changing trends, advances in technology, performance and cultural conversations all impact the success of and frequency with which big name acts get shows.
Boris Brejcha is an artist still, almost two decades into his career, climbing in popularity.
His shows, dazzling displays of incredible visuals mixed with his signature hybrid live performance style, have earned him a reputation as an artist and performer not to miss. His hoards of worldwide supports, brandishing signs, rubber ducks and regularly meeting him outside of hotels, airports and more, is reminiscent of the sort of fame awarded to early rockstars, only far more wholesome.
While his international endeavours see him on the road constantly, he regularly finds time to visit countries incredibly far away from his home of Germany. Australia is one such place, which although he visited only a little over ago, is welcoming him back in just a matter of weeks.
To celebrate his return, Mixmag ANZ was granted an audience with Boris, to pick his brain about his life on the road, and his return down under.
Q: It’s been a while since you’ve been to Australia after a series of sell-out shows in Naarm/Melbourne and Eora/Sydney in 2023. How have you reflected on your most recent time in Australia?
BB: Australia left a lasting impression on me. The energy of the crowds in Melbourne and Sydney was incredible, and the passion for electronic music there is unmatched. I often think back to those shows and how connected everyone felt—it was truly special.
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Q: What is most exciting to you about returning here in January of next year?
BB: I’m excited to reconnect with the fans and experience that unique Australian vibe again. Each visit to Australia feels like a new adventure, and I’m looking forward to bringing something fresh and exciting to the stage this time around.
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Q: You’ve been performing in some wild places recently—a casino after-party, a tram in Amsterdam, and more. What do you love most about performing in unconventional venues?
BB: I love the challenge and the uniqueness of these spaces. They bring a new energy to the performance because neither the audience nor I know quite what to expect. It keeps things exciting and makes each show memorable.
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Q: Everywhere you go, you have the love and support of countless fans. Many artists at your scale move away from their fans. What keeps you so close to them?
BB: The fans are the reason I do what I do. Their energy and connection to my music inspire me to keep going. Staying close to them reminds me of why I started this journey and keeps it personal, no matter how big the shows get.
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Q: The duck has become a symbol synonymous with your brand. What does it mean to you now in 2024/2025?
BB: The duck started as a fun and quirky symbol, but over the years, it’s become a part of my identity. For me, it represents creativity, individuality, and a connection with my fans—something lighthearted that brings us all together.
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Q: You’re now playing shows with crowds of thousands—21,000 in Argentina recently. What is it like playing for such massive audiences?
BB: It’s a surreal experience. The energy of such a large crowd is electric and contagious. Seeing so many people united by the music is incredibly humbling and reminds me of the power music has to bring people together.
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Q: What does performing for a crowd of that size give you that smaller, more intimate settings can’t?
BB: Large crowds create a sense of unity and shared energy that’s hard to replicate in smaller settings. It feels like a massive celebration. But smaller shows allow for a more personal connection, so each has its magic.
Q: Live visuals are a big part of these massive performances. How involved are you in their creation?
BB: I’m very involved! The visuals are an extension of my music and help tell the story of the set. I collaborate closely with my team to ensure they reflect the mood and energy I want to convey.
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Q: What do you want the visuals to do and inspire in the audience?
BB: I want the visuals to amplify the emotions of the music and take the audience on a journey. They should feel immersed in the experience, as if they’re part of a bigger world created during the performance.
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Q: Dance music has never been more popular around the world. What do you think about its growing popularity? What has led us to this point?
BB: It’s amazing to see dance music growing globally. I think technology, social media, and festivals have played a big role in bringing this culture to more people. It’s an exciting time to be part of this movement.
Q: How do you find Aussie crowds compared to the rest of the world?
BB: Aussie crowds are full of energy and positivity. They have a unique vibe—relaxed but incredibly passionate about music. It’s always a joy to play for them.
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Q: What are you bringing to your performances in Australia that Aussies won’t have seen before?
BB: I’m constantly working on new music, visuals, and concepts, so there will definitely be some surprises. I want to make each show unforgettable and give the fans something they’ve never experienced before.
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Q: Who are some Australian artists you’re really loving?
BB: There’s so much talent in Australia! Artists like Flume and Mall Grab have really stood out to me for their innovation and unique sound.
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Q: Have you ever made it out to a ‘bush doof’? Is it something you’d be interested in?
BB: I’ve heard a lot about bush doofs! They sound like such a unique and intimate experience. I’d love to explore one someday—it’s always exciting to see how music is celebrated in different ways.
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Q: What advice would you give to Australians eager to show their talent on the world stage?
BB: Stay true to your sound and never stop experimenting. The world values authenticity, and if you’re passionate about your music, it will resonate with people everywhere.
